Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
Seascape, boats, ships and warships. 14

ID: 47120

unknow artist Seascape, boats, ships and warships. 14
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unknow artist Seascape, boats, ships and warships. 14


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unknow artist

  Related Paintings of unknow artist :. | European city landscape, street landsacpe, construction, frontstore, building and architecture. 127 | elias martin | Flower Garden | Pierre Dmitrienko | Portrait of G. I. Alymova |
Related Artists:
Jean-Franc Millet
French Realist Painter, 1814-1875
Marten van Cleve
Flemish, 1527-1581,Brother of Hendrik van Cleve III. His presumed date of birth is derived from a document of 2 April 1567 in which he declared his age to be 40. In 1551-2 he became a master in the Antwerp Guild of St Luke and, according to van Mander, followed his brother into the studio of Frans Floris. If this is correct, it was probably c. 1553-5, for motifs drawn from Floris's work appear in Marten van Cleve's paintings executed during these years. Marten married Maria de Greve on 7 January 1556, apparently setting up his own studio at about the same time. Apprentices are regularly recorded from 1558 onwards, and it is probable that his own sons, Gillis II, Marten the younger, Joris and Nicolaas, also worked in the studio. Throughout the 1560s and 1570s Marten van Cleve's workshop was very productive, but the majority of works painted consisted of copies of his own originals. Van Mander's statement that the artist collaborated with a number of landscape painters, including his brother Hendrik III, Gillis van Coninxloo III, Gillis Mostaert and Jacob Grimmer, is confirmed by 17th-century inventories.
Daret, Jean
Flemish Baroque Era Painter, 1613-1668 French painter. He came from Brussels and trained there before going on the traditional journey to Italy, which not only took him to Rome but also brought him into contact with contemporary masters at Bologna. While in Italy he produced a Self-portrait (1636; St Petersburg, Hermitage), which alludes to both his ideal model and the necessary basis of his work: his right hand rests on a fragment of antique sculpture, while beside his palette in the foreground lie several sheets of drawings.






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